Suzhou, China | August 6, 2025 – An Instagram video showing elderly women mastering an ancient Chinese embroidery technique has left viewers around the world stunned—and a little skeptical. The clip, which showcases 双面三异绣 (shuāng miàn sān yì xiù), or Double-Sided Triple-Difference Embroidery, reveals what many are calling “visual sorcery”: two completely different patterns, colors, and stitch types appearing on opposite sides of the same piece of fabric.
The art form, part of Su embroidery (苏绣) from Suzhou, has existed for over 2,500 years and is recognized as an Intangible Cultural Heritage of China since 2006. But for many online, it’s the first time witnessing such precision and magic in hand embroidery.
“This has to be AI,” one commenter wrote, struggling to believe the embroidery wasn’t digitally generated. Another responded, “Not AI ❤,” offering historical context: “Double-sided different-looking embroidery is a high-level skill in Su embroidery… both sides require exquisite beauty, which is undoubtedly a great challenge.”
One of the most striking reactions came from a viewer who summed up the collective disbelief: “How is that… even possible… my mind cannot comprehend this masterpiece.”
Unlike modern trends, where speed and mass production dominate, Su embroidery reflects a lifelong commitment to discipline and detail. “They must’ve been young when they started this,” a user observed—underscoring the years of dedication needed to reach this level of craftsmanship.
While some joked about sending the video to their parents—“Look what other kids’ parents are doing”—others voiced a more urgent plea: “Learn these skills before they die with them.”
The broader reaction online signals more than just amazement—it’s a renewed appreciation for heritage arts in the age of AI, where handcraft is increasingly rare and revered. One commenter drove the point home: “See, this is worthy of sitting in an art gallery… but a banana taped onto a wall gets all the hype.”
As platforms like Instagram continue to spotlight traditional artisans, this quiet moment of needle and thread has stitched itself into a louder conversation—about legacy, labor, and what we choose to value in art today.

Hello art lovers. My name is Deepak Mehla, and I’m from Karnal, India. I enjoy reading stories about people’s struggles and how they overcome them. These motivational stories work like a source of energy for me.
Although Arttellers is completely different from my original vision, I, too, am going through a challenging phase in life. To keep myself busy and to hold on to hope, I share stories of artists with all of you. I believe these stories will give you a new direction, just as they inspire me.
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